All Saints, Little Bradley |
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All Saints is one of the most
westerly of East Anglia's round-towered churches, and the
setting is a little unusual. A narrow lane runs off of
the Newmarket to Haverhill road, and the village, such as
it is, is made up of cottages that formerly housed
workers on the Bradley Hall estate. The church sits
across a bridge on the way to the Hall beyond which the
lane peters out. It must easily get cut off in heavy
snow. The church itself is also unusual, at least for East Anglia, because the fabric of the nave and the western part of the chancel appears to be Anglo-Saxon in origin, and not rebuilt by later wealth. The tower is clearly not that old, and the ornate octagonal bell stage came about as a result of a bequest of 1455. James Bettley in the revised Buildings of England volume for West Suffolk notes the view of round tower churches expert Stephen Hart that the entire tower was probably rebuilt at this time. The crispness of the exterior today is down to William Fawcett's restoration of 1879 which rebuilt the roofs and provided the porch as well as refurnishing the inside. James Bettley also points out the earthworks east of the church, which taken together with the age of the nave, the proximity of the Hall and the separation from the main road points to a settlement which is organised pretty much as it would have been a thousand years ago. You step into an intimate interior which opens up towards the east beyond the benches and the chancel arch. It is the chancel that provides most of the interest here, for it has shoe-horned into it one of the most interesting collections of memorials in this corner of Suffolk, some in brass, some mural, and some both. Most are to members of the Le Hunt family of the Hall and their relations. On the south wall, the 1550s memorial with kneeling figures is to Richard Le Hunt and his family. Husband, wife and children kneel in line, and all the figures but one have their head missing. This might as easily be wear and tear as much as vandalism I suppose, but in fact the surviving head was also removed and was found a few years ago in a field by a farmer while ploughing. This would suggest that the beheadings were intentional. The two brass figures on the floor are John and Jane Le Hunt, the brass dating from 1605 and the couple standing in their finery above their inscription. John was a prominent Puritan in the years of the Elizabethan settlement, and he played a significant role in furthering protestant ambitions along with his brother-in law who kneels in a brass plaque with his family on the monument on the north side of the chancel. This is to John Daye, a prominent puritan printer of the second half of the 16th Century. At this time the new model Church of England was having some difficulty replacing the pre-Reformation church in the imaginations of the ordinary people. Part of the solution, in 1563, was the publication of Foxe's Book of Martyrs. This was a grisly narrative which outlined the evils of Catholicism by describing in detail the martyrdom of Protestants during the reign of Mary I (1553-58). The Protestant fundamentalist John Foxe compiled it, but John Daye was responsible for printing it. A copy of Foxe's Book of Martyrs was placed in every parish church alongside the Bible, and was used to justify persecution of Catholics. Well into the 19th Century it was used by certain elements in the Church as a warning against decriminalising Catholicism. Daye's origins are obscure. He owned a house in Dunwich, and it has been assumed that this was his home town, though there is no evidence for this. He was briefly imprisoned for sedition during the reign of Mary, but achieved considerable business success after his release. He spent most of his life in London, and he is only remembered at Little Bradley because he married into the Le Hunt family. His brother-in-law John le Hunte helped pay for the final edition of the Book of Martyrs to be printed. He also seems to have undertaken some research work for Foxe. Daye may not even be buried here. He died in 1584 and his inscription reads:: Heere lies the Daye that
darkness could not blynd As Mortlock observes, as if the opening pun wasn't bad enough, his second wife Alice's remarriage to a Mr Stone after his death was the cause of the last line. In the 19th Century, when the protestant wing of the Church of England was under siege from the ritualists, it responded by placing memorials to the Marian martyrs and their champions. The most famous of course is in Oxford itself, where the Martyrs Memorial remembers Cranmer, Latimer and Ridley. Here at Little Bradley, the Company of Stationers installed a memorial window to Daye, with depictions of St Andrew, St Stephen and St Paul. These were powerful statements in the ferment of ideas of that time, when the Evangelical movement had also undergone a revival, the dynamics between the two wings played out nationally and in individual parishes. One of the reasons we know so much
about the state of the mid-19th Century English church is
because of a snapshot taken on Sunday 30 March 1851. This
was the day of the first, and so far only, National
Census of Religious Worship. Each church of all
denominations was required by law to make a census return
detailing capacity, attendance on the day, average
attendance over the previous three months, and so on.
Most Anglican ministers did so, albeit warily, pointing
out that their congregations were smaller than usual
because of the storms that swept East Anglia that
morning. Some enthusiastically talked up their numbers
while others revealed depths of despondency. In some
fairly large villages the parish churches were almost
empty, and the incumbent was left to bemoan that the
congregational chapel has enticed so many, or in
other parishes everybody hereabouts is a Baptist.
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Simon Knott, September 2021
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