St Mary, Tuddenham St Mary |
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www.suffolkchurches.co.uk - a journey through the churches of Suffolk |
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Here we are in the orbit
of Mildenhall, not a great area of Suffolk for open
churches it must be said. But in
a county famed for the late medieval period, St Mary is
that rare beast, a church with considerable evidence of
the days before the Black Death sobered us all up. Not
only is the tower splendid, but the Decorated tracery in
the east window is lovely too. The clerestory is a later
addition, and is so late that the north aisle that would
have gone with it was never built because the Reformation
got there first. But if it hadnt then we might have
lost the lovely sequence of Decorated windows in the
north side of the nave. Of course, we did lose the glass.
Simon Cotton found a 1432 bequest that directed all
the fruits of the rectory to the building or reparation
of the chancel, which seems a late date for the east
window so perhaps it was not altered. In 1461 John
Passchelewe left eight shillings to the painting of
the image of the Blessed Mary in the chancel, and as
late as 1530, the start of the decade that such things
started to be wound up, John Whyte left 3s 4d (which is
to say half a noble) to the making of the rood loft. As
you read these and others you begin to build up a picture
in your head of what this church was like on the very eve
of the Reformation: the great screen with its painted
images of saints chosen by the people of the parish, the
coloured glass depicting saints and stories, the side
altars and shrines with candles flickering and the people
kneeling in acts of devotion. All gone now, but they were
what this place was built for. It took some effort to track down a key when I first visited back in 2003, but I was driven on to do so because, as I wrote at the time, I look forward to visiting churches like this because I expect them to be a bit musty and dusty inside, full of intriguing little details and forgotten treasures. Unfortunately, this was not to be. After a good half hour of hunting and haggling we were let into a wide open space that had been almost entirely scoured, a great medieval treasure house destroyed by a combination of theology, neglect and misplaced enthusiasm. Modern chairs faced a raised platform at the east end of the nave, aluminium bar light fixings ran across the 14th Century window tracery, both no doubt well-suited to the congregational worship buildings such as this now host. The chancel didn't appear to be used much. You can't help thinking that some parishes find the medieval integrity of their buildings a hindrance rather than a help. "This must have been a fine church once, observed my companion grimly. He was right. The grand battlemented entrance to the rood loft stair was a sorry reminder of the glory that had once been here. The font, too, survives, on a modern tiled base, but pretty much any other sign of the sacramental and devotional past life of this building has been completely lost to us. High above, a handful of glum
angels looked down, rather relieved to have survived the
1870 rebuilding of the roof perhaps, but wondering if it
was worth it as they gazed at the glossy floor. They are
outnumbered by Victorian replacements, who have no reason
to look smugger. The screen that supported John Whyte's
rood loft has gone, the chancel arch has been rebuilt.
John Passchelewe's image of the Blessed Mary has
long since gone, lost to the injunctions against images
of the 1530s and 1540s. A 17th Century pulpit survives to
remind us of the theology of that century, looking a bit
beleagured now perhaps. |
Simon Knott, December 2020
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