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Witnesham
is basically outer Ipswich suburbia, but from
the busy main road it appears two quite
separate villages, either side of the
Fynn valley. Both sides are quite
attractive, but the road in between is a
wide, steep race track, and not at all
recommended to cyclists. At the bottom of
the dip is a narrow lane leading off into
the woods and fields, and you are
suddenly plunged into deepest rural
Suffolk, with an old rectory, a field of
horses and an overgrown churchyard. It is
like stepping back a hundred years. The first time I
cycled out this way, dusk was falling on
a late Autumn afternoon. A 19th century
mourner and an angel in the churchyard
regarded me sorrowfully. The church was
locked, and both keyholders were far
away, and so far up either side of the
valley that I might not have made it back
to the church by nightfall. So I wandered
through the deliciously unkempt
graveyard, accompanied by my angel.
Coming
back in 2008, I was saddened to find
that, not only was the church still
locked, but that there are now no
keyholders listed. By my estimation, this
makes it one of only two of the medieval
parish churches in the vicinity of
Ipswich which is inaccessible to casual
visitors - the other is at Great
Blakenham.
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It also remains one of the
few East Anglian medieval churches which
I have never seen inside, so I must rely
on the eyes of others. Although the
church was Victorianised, this was done
fairly early on, and it is still
substantially a typical Suffolk church of
the 14th century, with a clerestory, but no aisles, added on the eve
of the Reformation. The eastern end was
rehashed at sometime. Early in the 17th
century, a clock and a sundial were added
to the south face of the tower. Why both,
I wonder? The porch is beneath this south
tower.
Sam
Mortlock suggests that the inside
was restored with more taste than
imagination; the font is recut, the floor
relaid. and he attributes the woodwork to
the great Henry Ringham. An interesting
survival of the 18th century is the set
of painted texts in panels on the walls,
as at Hemingstone.The glass of the
east window is early 19th century, and
therefore interesting.
But there is also a single
pane of medieval glass, depicting a small
furry animal. Neither Cautley, Mortlock
or Pevsner could identify it. I wonder
what it is.
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Simon Knott, June 2008

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