At the sign of the Barking lion...

All Saints, Worlington

At the sign of the Barking lion...

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Worlington

Worlington Worlington

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      Worlington sits not far from both the Cambridgeshire border and the Suffolk town of Mildenhall, in that intensively agricultural area where the Fens become the Brecks. Its parish church sits away from the busy high street at the end of a lane which eventually peters out in the fields, and the tight little churchyard feels a secretive place. The current church dates from when the 13th Century was becoming the 14th, with an aisle and clerestory added towards the end of the medieval period. There was a restrained restoration as late as 1910 leaving the church looking as it does today. One curiosity is the surviving sanctus bell turret at the apex of the nave gable. I'm told that the late medieval bell is in the collection of Moyse's Hall, Bury St Edmunds. Interestingly, Peter Northeast and Simon Cotton recorded a bequest of 1515 by Margery Howton of Mildenhall to the makynge of the broken bell in Wirlington yf the paryshe do amend it vjs viijd, which is to say six shillings and eightpence, although it isn't clear which bell is being referred to.

You step through the south porch into a calm, seemly interior, obviously loved and well-cared for. The 12th Century font sits against a pillar at the west end of the arcade, the conventional position. Below the capitals, the pillars of the arcade are decorated with pointed head arches as at nearby Lakenheath, and a not inconsiderable amount of old graffiti. The view east is towards early 20th Century glass depicting Christ welcoming the children by John Dudley Forsyth. His work can be found elsewhere in Suffolk not far off at Culford. On the north wall of the nave are three substantial memorials, all from the first three decades of the 19th Century. From two centuries earlier is a brass inscription to John Mortlock, who in 1620 gave to ye poore of this parish 30s per annum for ever after the decease of Joyce his wife.

There are scatterings of fragmentary 15th Century glass, some formed into roundels on the north side of the chancel, and there are several fragments of late medieval wall paintings. A floral border peeps from near the blocked rood loft stair exit, while a pinnacle in a window splay was probably part of an image frame. Although the rood screen has gone, the canted rood beam is still in place, topped by a 19th Century cross. Most memorable of all perhaps is the ticking of the parliamentary clock at the west end of the nave, which made sure that 18th Century Worlington kept pace with London.

     

Simon Knott, February 2023

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looking east sanctuary looking west
font suffer little children (J Dudley Forsyth, 1909) clock
roses and thistles G III R Worlington
Sir Grey Cooper, 1801 Rice James, 1822 The Reverend Sir William Henry Cooper, 1835 medieval glass fragments
Worlington Worlington
John Mortlock

 
               
                 

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